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“Old-time” Radio Takes Backseat to Paying its own expenses
June 5, 2011
by Bob Burnham

WHO AM I TO THE “OTR” WORLD?
I’m the guy for the last several years who has sat behind tables of thousands of audio CDs and a few other products. I have been a “regular” for many years at both the Cincinnati and Friends of Old Time Radio conventions in Newark.

Fewer and fewer people, however, really know who I am who still attend these events today. I’m not much of a “recreation” fan.  While I’ve met a lot of really amazing radio “celebrities,” since I’m in the business anyway, I don’t regard any of them as anything more than “regular people” with unusual occupations – and that’s what the best of them are like. 

I’m the one who developed the audio product from the ground-up.  I’m not an mp3 peddler, content to be salesman.  I’m an audio engineer, too.

Clean up, creation and production of those products requires a lot of technology.  Fortunately, that’s my business, too, but it does not come without some cost.

HOW IT STARTED & PROGRESSED
I began the business long ago with little more than a Smith Corona typewriter and a bunch of tape decks.  Eventually, better quality tape decks and typewriters were acquired.

Then we computerized much of the operation in the 1980s.

Dot-matrix printers and eventually Laser Writers were used for such things as cassette labels and catalog layouts.  Hand-typing labels of any kind became a thing of the past and the old-time radio world readily supported this advancement.

OUT WITH THE OLD IN WITH THE NEW
However, the end of the 1990s phased out, the audio cassette product, replaced by audio CDs.
  This was a change we had to “force” upon many loyal supporters who already had very large accumulations of analog tapes.   We all managed to survive.

On the plus side, that product has also evolved as the technology to clean-up and “master” audio evolved and became more affordable.

LOOKING BACK
Thirty-five years is a long time to be doing anything, but during that time, a few things never changed:  That we would support any entity or person who supported us, that we would have uncompromising attention to detail with regard to sound quality, and that we’d deliver the best service we were able to at reasonable prices.

There are a lot of “methods” to my madness – and madness IT CERTAINLY IS having operated the “old-time” division in the “red” for the last couple years.

Yet we have many friends, and the “enemies” if there ever really were any – have faded away. By nature, I’m a survivor and we never REALLY stopped.  We took a couple years “off” to work on the newer product plus nurture a “professional services” business.

HOW IT’S DONE
To make the catalog marketing work today (now essentially as a one-man-operation), we use several mostly custom-built networked computers. Along with those workstations are two HP printers, four network-attached storage boxes, plus specialized “nostalgia” audio equipment (to retrieve the content of original masters). Such old-school equipment includes Otari and Tascam reel to reel and cassette decks.  We have no “consumer-grade” equipment in service at this time.

The computer software has also evolved and I have to know enough about everything to be fairly dangerous, but fairly efficient at the same time.  Once in a great while, there are equipment failures.  We don’t generally use repair centers, as that is also one of my specialties. 

A variety of methods have been used to help pay the bills.  Of recent years, the most “profitable” (if you could call it that) of which has been the two conventions we attend every year.  

One of those conventions will cease to exist after this year.
What this will mean to my operation is unknown at this time.
I intend to continue to issue periodic supplements hopefully on a quarterly basis.  These are primarily recent additions to the digital library.  Occasionally, there are still new shows found and brought into circulation.

A LOOK TOWARD TOMORROW
With a look toward the future, all shows are mastered at a higher quality grade than that of a standard CD.  If there is some variation of “SUPER MP3” that catches on, our archive will already be ready for it. 

My audio work will eventually all be downloadable at minimal cost. Anyone who has already posted any of my work without my permission will eventually fade away as well.

I have a lot more to accomplish as one of “sources” to the digital world of original material.  The fact is it’s available right now in a couple different popular digital formats, but wait!  There’s more:  Those who have supported my work over the past couple decades will have free access to the downloadable archive library… as mentioned, I am a “survivor,”. but it’s going to be A WHILE!

----Bob Burnham 
----06-05-2011
 
ED COLE

By Bob Burnham

One of my best friends in both broadcast engineering AND “old-time” radio was H. Edgar “Ed” Cole then of Lakeland, Florida.  Barely in his 50s, Ed passed away just a week after the 9/11 tragedy, apparently due to alcohol-induced multiple organ failure and other health problems.

Ed worked for many years in central Florida as a broadcast engineer and later did many odd jobs as a cab dispatcher and for that matter, cab driver, until he found less dangerous work tapping into his technical and computer skills.   

Like myself, Ed was an old-time radio dealer and traded extensively and had many complete runs of more “recent” shows such as the CBS Radio Mystery Theater, Sears Radio Theater, etc.  I never got a complete “set” from Ed – just a few samples.

One year, Ed and I as a team, worked to record the Friends of Old Time Radio convention in Newark NJ… or reel to reel tapes!

During the late 1980s and early 1990s, I visited Ed more than once at his Lakeland apartment and we would always talk radio, equipment, and broadcast engineering almost until morning.  In terms of a raw technical theory, Ed could run circles around me, but I had practical hands-on experience.  Together we could design, build, program and maintain a broadcast station from the first bolt to flipping the PLATE switch on the transmitter.  Ed had a collection of Mitch Miller albums (i.e. vinyl!) that he would have loved to air if given the chance.

Although he also had "On-Air" experience, he also held an FCC First Class “ticket” which had been updated to a “General” class license -- something that had been discontinued by the time I was ready to take the test myself.  He introduced me to some of his engineering friends in Florida – some of the sharpest people in the business – and we all contributed to each others knowledge and experience in the biz.

When people ask how I learned what I know about radio – both past and present – and both the technical and programming aspects, I recall only a few select people like Ed that make up the foundation of people I have been lucky enough to work with.

Ed Cole had nothing but a deep-rooted passion for fine-quality sound and what it took to achieve it both at home and at a broadcast station.  He had a CD player and a “hi-fi” video deck when that type of equipment was still expensive.

Ed was also one of the contributing writers to the books I published mostly in the mid 1980s, “A Technical Guide to Old Time Radio.”

(Thank you Friends of Old-Time Radio for the Allen Rockford Award in ’84)

Ed and I also briefly co-published a techie trade publication “Radio Forum Newsletter” for the broadcast industry, specifically for engineers. Engineers are not used to paying for anything, however, and it never really went anywhere, but we learned and had fun in the process.

Ed had stacks of old Radio World newspapers (a trade publication), and in was in Ed’s stacks that I had first heard of and read the early columns of the Barry Mishkind  “the Eclectic Engineer.”  Barry (who is now former Radio Guide editor), has an ambitious project , The Broadcasters Desktop Resource www.thebdr.net that is drawing growing attention of those of us out in the trenches.  You could say in a sense, Ed introduced me to Barry. 

Barry IMHO remains one the finest broadcast journalists in the industry today.  My best written stuff came through Barry’s guidance, encouragement and expert editing.  It’s kind of an indirect and vague connection to Ed Cole, but it’s there, nonetheless, at least in my mind.

Thank you Ed Cole (belatedly) for sharing everything you shared with me.